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The Kuwait Chamber Philharmonia
The
Kuwait Chamber Philharmonia was formed in November 1992, by its two
founders: Cezary Owerkowicz and Witold Wnuk.Their aim is to bring
live classical music to a wider audience in Kuwait. The programmes
presented so far have reflected the works of the great European
composers and Kuwaiti musicians and have featured international as
well as local artistes.
In 1993 The Philharmonia has moved into another phase of its
development, involving regular monthly concerts at the RADISSON SAS
HOTEL, whose help and support has been exceptional. Concerts have
been very well attended and in most cases sold out; the combination
of the venue, the performers, the programmes and their organization,
together with the support from our audience have contributed to
successful and exciting years.
The success of the first years has also brought with it a vision of
the future. The vision is shared not only by the founders of the
Kuwaiti Chamber Philharmonia but also by music lovers across the
length and breadth of society in Kuwait, - to help build for future
generations in Kuwait, a National Philharmonic Orchestra. The
enormity of this undertaking, and its implications on the social,
cultural and related economic framework of Kuwait has been
appreciated, thus it is by no means a short-term goal. Neither can
this goal be realized without the combined support of the private
and public sectors and of individual music lovers.
The steps towards the creation of a National Orchestra are firmly
rooted in the educational process. Therefore some of the short term
objectives are centered around increasing the musical appreciation
of both the young and trained alike, through music competitions,
study tours and music holidays, the development of an amateur
orchestra, and the encouragement of the musical talent of all
nationalities.
Through the common language of music, the Kuwait Chamber
Philharmonia hopes to establish additional bonds of understanding
and friendship in the multi-cultural society of Kuwait. This will
have far reaching implications for the future of music and musicians
in the State.
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